'Destined to become a new classic' A dazzlingly original reassessment of women's stories, bodies and art - and how we think about them. For decades, feminist artists have confronted the problem of how to tell the truth about their experiences as bodies. Queer bodies, sick bodies, racialised bodies, female bodies, what is their language, what are the materials we need to transcribe it? Exploring the ways in which feminist artists have taken up this challenge, Art Monsters is a landmark intervention in how we think about art and the body, calling attention to a radical heritage of feminist work that not only reacts against patriarchy but redefines its own aesthetic aims. Writing in the tradition of Susan Sontag, Hélène Cixous and Maggie Nelson, Lauren Elkin demonstrates her power as a cultural critic, weaving daring links between disparate artists and writers - from Julia Margaret Cameron's photography to Kara Walker's silhouettes, Vanessa Bell's portraits to Eva Hesse's rope sculptures, Carolee Schneemann's body art to Theresa Hak Kyung Cha's trilingual masterpiece DICTEE - and shows that their work offers a potent celebration of beauty and excess, sentiment and touch, the personal and the political.

The lost novel from the author of The Second Sex When Andrée joins her school, Sylvie is immediately fascinated. Andrée is small for her age, but walks with the confidence of an adult. The girls become close. They talk for hours about equality, justice, war and religion; they lose respect for their teachers; they build a world of their own. But as the girls grow into young women, the pressures of society mount, threatening everything. This novel was never published in Simone de Beauvoir's lifetime. It tells the story of the real-life friendship that shaped one of the most important thinkers and feminists of the twentieth century. 'Slim, elegant, achingly tragic and unaffectedly lovely in its evocation of the closeness between girls - and the pressures that sunder them' Spectator VINTAGE FRENCH CLASSICS - five masterpieces of French fiction in gorgeous new gift editions. TRANSLATED BY LAUREN ELKIN - INTRODUCED BY DEBORAH LEVY

A love letter to Paris written in iPhone notes and in the troubling intimacy of public transport post-Charlie Hebdo attacks, Lauren Elkin's diary of a year on a Parisian bus pays homage to Georges Perec and Annie Ernaux. In this chronicle of the ordinary makings of a city and its people, the author's own body is a threatened vessel; that of the author as a woman as an author as a pregnant woman on the bus.

The lost novel from the author of The Second Sex When Andree joins her school, Sylvie is immediately fascinated. Andree is small for her age, but walks with the confidence of an adult. The girls become close. They talk for hours about equality, justice, war and religion; they lose respect for their teachers; they build a world of their own. But as the girls grow into young women, the pressures of society mount, threatening everything. This novel was never published in Simone de Beauvoir's lifetime. It tells the story of the real-life friendship that shaped one of the most important thinkers and feminists of the twentieth century. TRANSLATED BY LAUREN ELKIN - INTRODUCED BY DEBORAH LEVY 'Slim, elegant, achingly tragic and unaffectedly lovely in its evocation of the closeness between girls - and the pressures that sunder them' Spectator 'There were lines that absolutely punched me in the gut' Anbara Salam 'Gorgeously written, intelligent, passionate' Oprah Daily 'Elegantly translated...a rich and rewarding novella' Literary Review

'Destined to become a new classic' Chris Kraus A dazzlingly original reassessment of women's stories, bodies and art - and how we think about them. For decades, feminist artists have confronted the problem of how to tell the truth about their experiences as bodies. Queer bodies, sick bodies, racialised bodies, female bodies, what is their language, what are the materials we need to transcribe it? Exploring the ways in which feminist artists have taken up this challenge, Art Monsters is a landmark intervention in how we think about art and the body, calling attention to a radical heritage of feminist work that not only reacts against patriarchy but redefines its own aesthetic aims. Writing in the tradition of Susan Sontag, Hélène Cixous and Maggie Nelson, Lauren Elkin demonstrates her power as a cultural critic, weaving daring links between disparate artists and writers - from Julia Margaret Cameron's photography to Kara Walker's silhouettes, Vanessa Bell's portraits to Eva Hesse's rope sculptures, Carolee Schneemann's body art to Theresa Hak Kyung Cha's trilingual masterpiece DICTEE - and shows that their work offers a potent celebration of beauty and excess, sentiment and touch, the personal and the political.

'Life without her would be death' The lost novel from the author of The Second Sex published in English for the first time. The compulsive story of two friends growing up and falling apart. INTRODUCED BY DEBORAH LEVY When Andree joins her school, Sylvie is immediately fascinated. Andree is small for her age, but walks with the confidence of an adult. Under her red coat, she hides terrible burn scars. And when she imagines beautiful things, she gets goosebumps... Secretly Sylvie believes that Andree is a prodigy about whom books will be written. The girls become close. They talk for hours about equality, justice, war and religion; they lose respect for their teachers; they build a world of their own. But they can't stay like this forever. Written in 1954, five years after The Second Sex, the novel was never published in Simone de Beauvoir's lifetime. This first English edition includes an afterword by her adopted daughter, who discovered the manuscript hidden in a drawer, and photographs of the real-life friendship which inspired and tormented the author. 'Gorgeously written, intelligent, passionate, and in many ways foreshadows such contemporary works as Elena Ferrante's My Brilliant Friend' Oprah Daily TRANSLATED BY LAUREN ELKIN. WITH AN AFTERWORD FROM SYLVIE LE BON DE BEAUVOIR

Sarah Lucas is an internationally celebrated artist known for the provocative use of materials and imagery in her work. Incorporating ordinary objects in unexpected ways, she has consistently challenged our understandings of sex, class and gender over the last four decades. Looking beyond the generation of 1990s Young British Artists during which Lucas emerged, this visually stunning exhibition book invites the public to marvel at the diversity of her work across sculpture, installation and photography. Breaking boundaries with her bawdy humour and bold daring, Lucas shows us the whole spectrum of what it truly means to be human.

Mireille Gansel grew up in the traumatic aftermath of her family losing everything-including their native languages-to Nazi Germany. In the 1960s and 70s, she translated poets from East Berlin and Vietnam to help broadcast their defiance to the rest of the world. In this half memoire, half philosophical treatise Gansel's debut illustrates the estrangement every translator experiences for the privilege of moving between tongues, and muses on how translation becomes an exercise of empathy between those in exile.

*Shortlisted for the PEN/Diamonstein-Spielvogel Award for the Art of the Essay* Selected as a Book of the Year 2016 by the Financial Times, Guardian, New Statesman, Observer, The Millions and Emerald Street 'Flaneuse [flanne-euhze], noun, from the French. Feminine form of flaneur [flanne-euhr], an idler, a dawdling observer, usually found in cities. That is an imaginary definition.' If the word flaneur conjures up visions of Baudelaire, boulevards and bohemia - then what exactly is a flaneuse? In this gloriously provocative and celebratory book, Lauren Elkin defines her as 'a determined resourceful woman keenly attuned to the creative potential of the city, and the liberating possibilities of a good walk'. Part cultural meander, part memoir, Flaneuse traces the relationship between the city and creativity through a journey that begins in New York and moves us to Paris, via Venice, Tokyo and London, exploring along the way the paths taken by the flaneuses who have lived and walked in those cities. From nineteenth-century novelist George Sand to artist Sophie Calle, from war correspondent Martha Gellhorn to film-maker Agnes Varda, Flaneuse considers what is at stake when a certain kind of light-footed woman encounters the city and changes her life, one step at a time.

Sarah Lucas is an internationally celebrated artist known for the provocative use of materials and imagery in her work. Incorporating ordinary objects in unexpected ways, she has consistently challenged our understandings of sex, class and gender over the last four decades. Looking beyond the generation of 1990s Young British Artists during which Lucas emerged, this visually stunning exhibition book invites the public to marvel at the diversity of her work across sculpture, installation and photography. Breaking boundaries with her bawdy humour and bold daring, Lucas shows us the whole spectrum of what it truly means to be human.

An erudite and highly enjoyable exploration of the most intriguing of personal spaces, from Greek and Roman antiquity through today The winner of France's prestigious Prix Femina Essai (2009), this imaginative and captivating book explores the many dimensions of the room in which we spend so much of our lives--the bedroom. Eminent cultural historian Michelle Perrot traces the evolution of the bedroom from the time of the ancient Greeks and Romans to today, examining its myriad forms and functions, from royal king's chamber to child's sleeping quarters to lovers' trysting place to monk's cell. The history of women, so eager for a room of their own, and that of prisons, where the principal cause of suffering is the lack of privacy, is interwoven with a reflection on secrecy, walls, the night and its mysteries. Drawing from a wide range of sources, including architectural and design treatises, private journals, novels, memoirs, and correspondences, Perrot's engaging book follows the many roads that lead to the bedroom--birth, sex, illness, death--in its endeavor to expose the most intimate, nocturnal side of human history.

The Oulipo celebrated its fiftieth birthday in 2010, and as it enters its sixth decade, its members, fans and critics are all wondering: where can it go from here? In two long essays Scott Esposito and Lauren Elkin consider Oulipo's strengths, weaknesses, and impact on today's experimental literature.